Equus

Peter Shaffer

English Touring Theatre and Theatre Royal Stratford East

Lowry Quays, Salford

23 April 2019 - 27 April 2019; 2hr 40min inc interval

Norah Lopez Holden (Jill Mason) and Ethan Kai (Alan Strang) in Equus at the Lowry, Salford. All pics: The Other Richard

Peter Shaffer’s dark and complex play, about passion misplaced or displaced, is one of those gifts that keeps on giving.

No matter how many times you enter into its intricate workings it never fails to reveal some new facet of the story or invite you to take different sides with its characters. Audiences introduced to Equus when it was first performed in the 1970s certainly find themselves looking at it anew here, especially when set in an age in which TV was regarded as an anti-social medium, and its commercial jingles were the memes of their day.

The story concerns a psychiatrist’s attempt to treat a teenager accused of blinding six horses. Although based on a real incident, it constructs its own kind of detective story around his examination of a deeply-troubled mind.

As the analyst, Zubin Varla is the latest in an illustrious line of actors to tackle the demanding central role. His Professor Dysart is a nervy, incessantly-smoking professional who gradually comes to a disquieting evaluation of his own psyche. Opposite him, Ethan Kai gives an equally-absorbing performance as the teenage Alan Strang.

In the ‘role’ (or fetlocks?) of one of the horses, Ira Mandela Siobhan is especially effective, with dramatic side lighting giving him the physical outlines and musculature of a thoroughbred.

The stillness of some of the scenes is punctuated by searing moments of theatre, used sparingly but with astonishing effect amidst Georgia Lowe’s clinical, cell-like setting. The climax becomes a theatrical exorcism of sound, light and smoke effects that heighten the psycho-sexual imagery of a play that has never been for the faint-hearted.

In any age, Equus remains as pungent a drama as those menthol cigarettes on which Dysart depends.

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