Midsomer Murders: The Killings at Badger's Drift

Guy Unsworth (from the novel by Caroline Graham

Nicholson Green Productions, based on the television series from Bentley Productions with ALL3MEDIA International

Storyhouse Theatre, Chester

November 11-15, 2 hrs 20 mins

(also at Sheffield Lyceum, November 25-29; Blackpool Grand, February 10-14, 2026; Manchester Opera House, May 27-30)

Murderous goings-on at Midsomer. No change there then...

In 1997, Caroline Graham’s novel, The Killings at Badger’s Drift was the focus for a pilot episode of a new detective series, Midsomer Murders, which went on to be a huge success. Can a stage play from the same source material be equally successful?

The prospect presents several difficulties, including the need for a large cast and a wide variety of settings. But this touring production surmount the hurdles with some style.

Emily Simpson is found dead in her cottage in the idyllic village of Badger’s Drift. Once suspicious circumstances have been revealed, DCI Barnaby and DS Troy investigate. In a storyline with a large number of twists and turns, there are three more deaths before they identify the killers.

This is a quick-moving production, with intelligent scene changes that replicate many village settings.  Most cast members have at least two roles, facilitated by speedy and imaginative costume changes - most notable being the simultaneous interrogation of Barbara Lassiter and Dickie Whiteley, both played by Chandrika Chevli, requiring a half-and-half costume and for her to rotate 180^o. There are also, handily, several summary scenes to keep us all in tune with the plot.

Daniel Casey is a commanding and probing Barnaby. His character isn't a tortured soul like some fictional detectives we could name, but solving a tricky murder is enough to trouble any conscience - so a dream sequence and several flashbacks prove very effective. He is ably supported by James Bradwell as Troy, who adds a nice touch of welcome humour.

In literature, this production would be termed a cozy murder mystery. There is no overt violence - despite the portrayal of three murders - and there is some gentle humour to give lightness to what could otherwise be fairly intense. Most importantly, it is well structured and has pace, which holds the audience's attention throughout and keeps us guessing up to the final, unexpected, twist, making this a highly enjoyable evening's entertainment.   

More info and tickets here